Okay so this is actually a book not a film but it was certainly worth a quick mention.
A lesser known novel that should be on the essential classics list. Short and well-paced, with concise yet beautiful descriptive power 'The Bear' swaps between two opposing viewpoints to create a surprising amount of emotional tension. I was so relieved to find this book, certainly something I would want to read to my children one day. Perhaps suitable as a kind of bed-time story for mature teenagers.
Sunday, 6 July 2014
Monday, 17 March 2014
This is the end (Evan Goldberg) 2013
This is the end (Evan Goldberg) 2013
Score:82%
A film starring half my most despised actors of all time that completely surprised me and quickly became one of my most loved movies. I could write a few pages on why I find Jonah Hill and Seth Rogen highly irritating but instead I'd prefer to write about how 'This is the end' was a welcome change and a redeeming light.
Breaking the fourth Wall:
Seth Rogen as Seth Rogen
James Franco as James Franco
Jonah Hill as Jonah Hill
Lot's of films, paticularly comedies have and will continue to do this, and some critics of the film argued that doing so made the film all the more pretentious. With actors whose comedic nature is to be pretentious like Seth Rogen and Jonah Hill, performing in a narrative where the characters they portray are themselves creates if anything a more honest atmosphere than their other works. Suddenly there is this opportunity to criticise and make fun of each other. A memorable moment is when Seth Rogen is accused of playing the same guy in every movie. Not only is this partly true but by admitting this the film begins it's path to atonement.
Character development:
Thank God! Something cinema blockbusters really struggle to concentrate on. Partly because of the honest and more human atmosphere of actors playing themselves as characters, we see personal arguments unravel and emotions cloud characters judgement. That and in a (comedic) horror situation the survivors do not simply act out stock roles, they each bring unique and hilarious contributions to the plot.
An end that the audience deserves:
Too often in cinema it feels like the narrative is sugar-coated to deliberately be less distressing. This forced optimism inevitably ends up damaging the whole project. Although it may seem obvious and perhaps quick or rushed the denouement of the film provides exactly the right kind of emotional release that the audience needs.
Monday, 10 March 2014
The Mothman Prophecies (Mark Pellington) 2002
The Mothman Prophecies (Mark Pellington) 2002
WARNING: This post contains spoilers!
Genre:Horror
Score:66%
A film more rich in entertainment value than quality. For a twelve, indeed for any horror the tension is raised impressively well within the first hour. The antagonist-an omnipotent being of some kind that is terrifying and mysterious. However, the constant allusion to moths and transitions fading into moth shapes quickly changes from interesting and creative to frankly boring and borderline silly at times. This combined with a change from a mystery antagonist 'Indrid Cold' into an anti-hero of sorts as-well as a lack of intuitive camera work drags the quality of the film down.
Subscribe to:
Posts (Atom)


